R+J
Friday, October 31st, 2003Went out to see R+J last week with some friends. It’s an ‘updated’ version of Romeo and Juliet. In this case updated means it is set in a boy’s school and performed by 4 boys at night while the rest of the school is asleep.
Apart from this context, the play is almost untouched, although of course the ‘boys’ take all the roles in the play. This is not so jarring as it might seem — although maybe that is just me — I have seen many cross-cast and small ensemble productions over the years.
I really like this approach — theatre is about suspension of disbelief, and without challenging the audience to suspend we may as well be watching TV.
This production used a minimal set — just two chairs, a small chest and a red cloth. The direction is hugely athletic, appropriate for characters going through their adolescence. The characters leap and wrestle their way through the text.
The conceit that they are adolescent boys adds an interesting layer to the play. When Romeo and Juliet have their first love scene, the others make fun of them — cat calling and teasing the boys for their affection. But R+J call their bluff — the affection that was awkward seems to become natural and real — and the others can no longer make fun of it. By the end of the play we beleive and feel for their love.
I won’t summarise the whole play — we all know the story — suffice it to say that it is a worthy and interesting version of the play.
I just wonder what the Eton boys in the audience thought about it.







